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Andrew Coyle Bradley Quotes
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Both Brutus and Hamlet are highly intellectual by nature and reflective by habit. Both may even be called, in a popular sense, philosophic; brutus may be called so in a stricter sense (Andrew Coyle Bradley Quotes)
In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced (Andrew Coyle Bradley Quotes)
King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure (Andrew Coyle Bradley Quotes)
Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact (Andrew Coyle Bradley Quotes)
In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect (Andrew Coyle Bradley Quotes)
Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character (Andrew Coyle Bradley Quotes)
Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen (Andrew Coyle Bradley Quotes)
Shakespeare’s idea of the tragic fact is larger than this idea and goes beyond it; but it includes it, and it is worth while to observe the identity of the two in a certain point which is often ignored (Andrew Coyle Bradley Quotes)
A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side (Andrew Coyle Bradley Quotes)
But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections (Andrew Coyle Bradley Quotes)