Art usually only makes the news in America when the subject is money

Art usually only makes the news in America when the subject is money

In the world of art criticism and journalism, Jerry Saltz is a prominent figure known for his candid and often controversial opinions on the art world. As the senior art critic for New York Magazine, Saltz has made a name for himself by fearlessly critiquing the art world's elite and challenging the status quo. However, despite his influence and reputation, Saltz has also been vocal about the ways in which art is often only discussed in the media when money is involved.

Saltz has frequently criticized the commercialization of the art world, arguing that the focus on money often overshadows the true value and meaning of art. In a society where success is often measured by financial gain, Saltz believes that art should be appreciated for its intrinsic value and ability to provoke thought and emotion. He has spoken out against the commodification of art, where pieces are bought and sold like stocks on the market, rather than appreciated for their artistic merit.

One of Saltz's most famous critiques of the art world's obsession with money came in 2017 when he wrote an article for Vulture titled "The Art World Is a Raging Dumpster Fire." In the article, Saltz lamented the increasing commercialization of art, arguing that the focus on money was stifling creativity and innovation. He called out the art world's obsession with blockbuster exhibitions and high-priced auctions, arguing that these events were more about making a profit than celebrating art.

Saltz's criticism of the art world's focus on money has struck a chord with many in the industry, who see his words as a call to action to reevaluate the way art is valued and appreciated. While money will always play a role in the art world, Saltz believes that it should not be the sole determining factor in how art is perceived and discussed in the media. By challenging the status quo and speaking out against the commercialization of art, Saltz has become a voice for change in an industry that often prioritizes profit over artistic integrity.