As artists, we like night more than day sometimes

As artists, we like night more than day sometimes

Ang Lee, the renowned filmmaker known for his visually stunning and emotionally resonant films, is no stranger to exploring the complexities of human emotions and relationships. In many of his works, Lee has shown a deep appreciation for the beauty and mystery of the night, using it as a backdrop to explore themes of love, loss, and self-discovery.

One of Lee's most acclaimed films, "Brokeback Mountain," is a poignant love story between two cowboys, Ennis Del Mar and Jack Twist, whose forbidden romance unfolds against the backdrop of the rugged Wyoming landscape. The film's cinematography, particularly the scenes set at night, captures the intimacy and vulnerability of the characters as they navigate the complexities of their relationship. The darkness of the night becomes a metaphor for the secrecy and hidden desires that define their love, adding a layer of depth and complexity to the narrative.

In "Crouching Tiger, Hidden Dragon," Lee explores the world of ancient China through the lens of a martial arts epic. The film's stunning fight sequences, choreographed with precision and grace, are often set against the backdrop of the night sky, adding a sense of mystery and magic to the story. The night becomes a canvas for the characters to express their innermost desires and fears, as they grapple with their own inner demons and external conflicts.

Lee's affinity for the night as a setting for his films can be seen as a reflection of his own artistic sensibilities. As an artist, Lee is drawn to the darkness and shadows that the night brings, finding inspiration in the quiet moments of introspection and contemplation that it offers. The night, with its sense of mystery and possibility, allows Lee to explore the depths of human emotion and experience, delving into the complexities of the human psyche with nuance and sensitivity.