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Ay, springes to catch woodcocks. I do know, when the blood burns, how prodigal the soul lends the tongue vows

Ay, springes to catch woodcocks. I do know, when the blood burns, how prodigal the soul lends the tongue vows Picture Quote #1

Ay, springes to catch woodcocks. I do know, when the blood burns, how prodigal the soul lends the tongue vows

In William Shakespeare's play, "Othello," the character Iago speaks the line, "Ay, springes to catch woodcocks. I do know, when the blood burns, how prodigal the soul lends the tongue vows." This line is spoken by Iago as he reveals his manipulative and deceitful nature, using imagery of trapping woodcocks to symbolize his cunning and deceptive tactics.

The metaphor of "springes to catch woodcocks" refers to traps set to catch unsuspecting prey, highlighting Iago's predatory nature and his willingness to ensnare others for his own gain. This imagery reflects Iago's manipulative and scheming personality, as he sets traps and deceives those around him to achieve his own selfish desires.

The second part of the line, "I do know, when the blood burns, how prodigal the soul lends the tongue vows," further emphasizes Iago's ability to manipulate others through his words. The phrase "when the blood burns" suggests a moment of intense emotion or passion, indicating that Iago is aware of how to exploit people's vulnerabilities and emotions to achieve his own ends.

Iago's reference to the soul lending the tongue vows highlights his understanding of how words can be used to deceive and manipulate others. By making false promises and vows, Iago is able to manipulate those around him into believing his lies and furthering his own agenda.

Overall, this line from "Othello" encapsulates Iago's cunning and deceitful nature, as well as his ability to manipulate others through his words. It serves as a reminder of the power of language and the dangers of trusting those who may have ulterior motives. Shakespeare masterfully portrays Iago as a complex and villainous character, whose manipulation and deceit drive the tragic events of the play.
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