I adore extravagance but I abhor waste

I adore extravagance but I abhor waste

Aaron Copland, one of the most celebrated American composers of the 20th century, was a man who embodied the sentiment of "I adore extravagance but I abhor waste" in his music and life. Known for his innovative and bold compositions that blended classical and folk elements, Copland was a master at creating lush, extravagant soundscapes that captivated audiences around the world.

In his music, Copland often embraced extravagance by incorporating rich harmonies, sweeping melodies, and intricate orchestrations that pushed the boundaries of traditional classical music. His iconic works such as "Appalachian Spring," "Rodeo," and "Fanfare for the Common Man" are prime examples of his penchant for grandeur and opulence in his compositions. These pieces are filled with lush textures, vibrant colors, and dynamic contrasts that create a sense of grandeur and extravagance that is both captivating and awe-inspiring.

However, despite his love for extravagance in his music, Copland was also a man who abhorred waste. He was known for his meticulous attention to detail and his careful craftsmanship in composing his works. Copland believed in using every note, every phrase, and every instrument in his compositions with purpose and intention, never allowing anything to go to waste. He was a master at creating music that was both extravagant and economical, using his resources wisely and efficiently to create works of lasting beauty and significance.

Copland's commitment to avoiding waste extended beyond his music to his personal life as well. He was known for his frugality and simplicity in his lifestyle, eschewing extravagance and excess in favor of a more modest and humble existence. Copland believed in living a life of purpose and meaning, using his talents and resources to create beauty and art that would endure for generations to come.