I think great romance needs great obstacles and textures

I think great romance needs great obstacles and textures

Ang Lee is a renowned filmmaker known for his ability to capture the complexities of human relationships on screen. Throughout his career, Lee has explored the theme of romance in various forms, from the forbidden love between two cowboys in "Brokeback Mountain" to the tumultuous relationship between a young couple in "The Ice Storm." In each of his films, Lee has demonstrated a deep understanding of the obstacles and textures that can make a romance truly great.

One of the key elements that Lee often incorporates into his films is the presence of obstacles that challenge the central relationship. These obstacles can take many forms, from societal norms and expectations to personal insecurities and fears. In "Brokeback Mountain," for example, the love between Ennis and Jack is hindered by the homophobic attitudes of the time, as well as their own internal struggles with their identities. These obstacles serve to heighten the emotional stakes of the romance, making it all the more powerful and poignant.

In addition to obstacles, Lee also infuses his romances with rich textures that add depth and complexity to the relationships on screen. These textures can come in the form of subtle gestures, meaningful glances, or shared experiences that deepen the connection between the characters. In "Sense and Sensibility," for example, Lee captures the quiet moments of intimacy between Elinor and Edward, allowing the audience to feel the depth of their love through the smallest of gestures.

By incorporating both obstacles and textures into his romances, Lee is able to create films that feel authentic and emotionally resonant. The challenges that the characters face serve to test the strength of their love, while the textures add layers of nuance and depth to their relationships. This combination of elements allows Lee to explore the complexities of human emotions and relationships in a way that feels both real and relatable to audiences.