If we can't stamp out literature in the country, we can at least stop its being brought in from outside

If we can't stamp out literature in the country, we can at least stop its being brought in from outside

Evelyn Waugh, a renowned English writer known for his satirical novels and sharp wit, was no stranger to controversy during his lifetime. His works often touched on themes of class, society, and morality, and he was not afraid to push the boundaries of what was considered acceptable in literature. In light of this, it is not surprising that Waugh's views on the importation of literature from outside the country were equally provocative.

The quote "If we can't stamp out literature in the country, we can at least stop its being brought in from outside" reflects Waugh's belief in the importance of preserving the cultural integrity of a nation. He was a staunch defender of traditional British values and saw the influx of foreign literature as a threat to the country's literary heritage. Waugh believed that by restricting the importation of foreign works, the purity of British literature could be maintained and protected from outside influences.

Waugh's views on the importation of literature can be seen as a reflection of his broader concerns about the erosion of traditional values in society. In his novels, such as "Brideshead Revisited" and "A Handful of Dust," Waugh often depicted the decline of the British aristocracy and the moral decay of society. By restricting the importation of foreign literature, Waugh may have hoped to stem the tide of cultural change and preserve the values that he held dear.

However, it is important to note that Waugh's views on this issue were not without controversy. Critics have argued that his stance on the importation of literature was narrow-minded and xenophobic, and that it reflected a fear of the unknown rather than a genuine concern for the preservation of British culture. Additionally, the idea of restricting the flow of ideas and creativity from outside the country runs counter to the principles of artistic freedom and cultural exchange.