It's not the voting that's democracy; it's the counting

It's not the voting that's democracy; it's the counting

In the world of playwright Tom Stoppard, the idea that "it's not the voting that's democracy; it's the counting" holds a significant amount of weight. Stoppard, known for his complex and thought-provoking plays that often delve into philosophical and political themes, has a keen understanding of the intricacies of democracy and the importance of the electoral process.

In many of Stoppard's works, the concept of democracy is explored in depth, often highlighting the fragility of the system and the potential for corruption and manipulation. Stoppard's plays often feature characters who are grappling with questions of power, authority, and the true meaning of democracy. In these works, the idea that democracy is not just about the act of voting, but also about the integrity of the counting process, is a recurring theme.

One of Stoppard's most famous plays, "Arcadia," explores the idea of democracy through the lens of history, science, and mathematics. The play juxtaposes two timelines - one set in the early 19th century and the other in the present day - to examine the ways in which knowledge, power, and truth are constructed and manipulated. In "Arcadia," the characters grapple with questions of certainty and uncertainty, order and chaos, and the ways in which information is gathered, interpreted, and disseminated.