Memory is quite central for me. Part of it is that I like the actual texture of writing through memory

Memory is quite central for me. Part of it is that I like the actual texture of writing through memory

Kazuo Ishiguro, the renowned British author of Japanese descent, is known for his masterful exploration of memory and its impact on identity in his novels. In an interview, Ishiguro once said, “Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.” This statement sheds light on Ishiguro’s deep connection to memory as a source of inspiration and a tool for storytelling.

Ishiguro’s novels often revolve around characters who grapple with the complexities of memory and its subjective nature. In his most famous work, “The Remains of the Day,” the protagonist, Stevens, is a butler who reflects on his past and the choices he made in service to his employer. Through Stevens’ recollections, Ishiguro delves into the ways in which memory can shape one’s sense of self and influence their actions.

For Ishiguro, memory is not just a plot device, but a means of exploring the human experience and the ways in which individuals construct their own narratives. In “Never Let Me Go,” Ishiguro tells the story of a group of clones who are raised for the purpose of organ donation. The novel raises questions about the ethics of science and the nature of humanity, but at its core is a meditation on memory and the ways in which it defines our relationships and our understanding of ourselves.

Ishiguro’s writing style reflects his fascination with memory, as he often employs a fragmented narrative structure that mimics the way memories are recalled and reconstructed. His prose is lyrical and evocative, inviting readers to immerse themselves in the characters’ inner worlds and the landscapes of their memories.