My worry is that opera will become an historic art form as opposed to a living, breathing thing

My worry is that opera will become an historic art form as opposed to a living, breathing thing

Renée Fleming, one of the most renowned opera singers of our time, has expressed her concern about the future of opera as an art form. She worries that opera will become a relic of the past, rather than a vibrant and evolving art form that continues to captivate audiences around the world.

Fleming's fear is not unfounded. Opera has a long and storied history, dating back to the late 16th century in Italy. Over the centuries, it has evolved and adapted to changing tastes and styles, but it has always remained a vital and relevant art form. However, in recent years, opera has faced challenges in attracting new audiences and staying relevant in a rapidly changing cultural landscape.

One of the reasons for Fleming's concern is the perception that opera is elitist and inaccessible to the average person. Opera has long been associated with wealth and privilege, and many people feel intimidated by its perceived complexity and highbrow reputation. This has led to a decline in attendance at opera houses and a lack of interest among younger generations.

Fleming believes that in order for opera to survive and thrive in the 21st century, it must adapt to the changing times and find ways to connect with a broader audience. This means embracing new technologies, exploring innovative staging techniques, and reaching out to diverse communities to make opera more inclusive and accessible.

Fleming herself has been a trailblazer in this regard, using her platform to advocate for the importance of opera in today's world. She has collaborated with contemporary composers, performed in non-traditional venues, and championed new works that push the boundaries of the art form. By doing so, she has helped to keep opera relevant and exciting for a new generation of music lovers.