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Richard Serra Quotes

Art is not democratic. It is not for the people Picture Quote #1
I think this, I think basically I’m not interested in people following my work or making work like my work Picture Quote #1
Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading Picture Quote #1
The thing about rigging is, you can learn it if you become a master rigger but there’s no book on rigging Picture Quote #1
On the other hand, if there’s an underlying core of poetry that I go to, I go to the sea. I’ve lived on the sea all my life. I live on the sea in Cape Breton Picture Quote #1
On the other hand, if there’s an underlying core of poetry that I go to, I go to the sea. I’ve lived on the sea all my life. I live on the sea in Cape Breton Picture Quote #1
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But I don’t think of any particular viewer in mind other than myself Picture Quote #1
Basically, that is my subject: I use steel to organize space Picture Quote #1
Space, as my work evolved, really became my subject Picture Quote #1
They’ve also, the government’s decided now, what sexual content is Picture Quote #1
To see is to think, and to think is to see Picture Quote #1
Everything we choose in life for its lightness soon reveals its unbearable weight Picture Quote #1
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The thing about rigging is, you can learn it if you become a master rigger but there’s no book on rigging Picture Quote #1
Don’t start telling me buildings are works of art, because I don’t buy it Picture Quote #1
The steel and the space, or the object and the void, become one and the same Picture Quote #1
I think if you want to make art, at some point you have to suspend judgment, and you have to involve youself with play and not worry about the outcome Picture Quote #1
And certainly the history of public sculpture has been disastrous but that doesn’t mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public Picture Quote #1
If you get it out into the urban field it’s going to be used or misused but it’ll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day Picture Quote #1
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When I moved into making sculpture, I could handle steel the way it had been handled in the technological revolution. I could use it the way bridge builders used it; I could use it the way they used it in industry and building and not the way it had been used in art Picture Quote #1
Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see Picture Quote #1
The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer’s movement. Step by step the perception not only of the sculpture but of the entire environment changes Picture Quote #1
What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are Picture Quote #1
I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct Picture Quote #1
Time and movement became really crucial to how I deal with what I deal with, not only sight and boundary but how one walks through a piece and what one feels and registers in terms of one’s own body in relation to another body Picture Quote #1
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Work out of your work. Don’t work out of anybody else’s work Picture Quote #1
I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer Picture Quote #1
I think this, I think basically I’m not interested in people following my work or making work like my work Picture Quote #1
I think different people have different problems and different relations to the exhibition of their work Picture Quote #1
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Art is not democratic. It is not for the people  (Richard Serra Quotes) I think this, I think basically I’m not interested in people following my work or making work like my work.  (Richard Serra Quotes) Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.  (Richard Serra Quotes) The thing about rigging is, you can learn it if you become a master rigger but there’s no book on rigging.  (Richard Serra Quotes) On the other hand, if there’s an underlying core of poetry that I go to, I go to the sea. I’ve lived on the sea all my life. I live on the sea in Cape Breton.  (Richard Serra Quotes) On the other hand, if there’s an underlying core of poetry that I go to, I go to the sea. I’ve lived on the sea all my life. I live on the sea in Cape Breton  (Richard Serra Quotes) But I don’t think of any particular viewer in mind other than myself  (Richard Serra Quotes) Basically, that is my subject: I use steel to organize space  (Richard Serra Quotes) Space, as my work evolved, really became my subject  (Richard Serra Quotes) They’ve also, the government’s decided now, what sexual content is  (Richard Serra Quotes) To see is to think, and to think is to see  (Richard Serra Quotes) Everything we choose in life for its lightness soon reveals its unbearable weight  (Richard Serra Quotes) The thing about rigging is, you can learn it if you become a master rigger but there’s no book on rigging  (Richard Serra Quotes) Don’t start telling me buildings are works of art, because I don’t buy it  (Richard Serra Quotes) The steel and the space, or the object and the void, become one and the same  (Richard Serra Quotes) I think if you want to make art, at some point you have to suspend judgment, and you have to involve youself with play and not worry about the outcome  (Richard Serra Quotes) And certainly the history of public sculpture has been disastrous but that doesn’t mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public  (Richard Serra Quotes) If you get it out into the urban field it’s going to be used or misused but it’ll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day  (Richard Serra Quotes) When I moved into making sculpture, I could handle steel the way it had been handled in the technological revolution. I could use it the way bridge builders used it; I could use it the way they used it in industry and building and not the way it had been used in art  (Richard Serra Quotes) Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see  (Richard Serra Quotes) The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer’s movement. Step by step the perception not only of the sculpture but of the entire environment changes  (Richard Serra Quotes) What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are  (Richard Serra Quotes) I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct  (Richard Serra Quotes) Time and movement became really crucial to how I deal with what I deal with, not only sight and boundary but how one walks through a piece and what one feels and registers in terms of one’s own body in relation to another body  (Richard Serra Quotes) Work out of your work. Don’t work out of anybody else’s work  (Richard Serra Quotes) I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer  (Richard Serra Quotes) I think this, I think basically I’m not interested in people following my work or making work like my work  (Richard Serra Quotes) I think different people have different problems and different relations to the exhibition of their work  (Richard Serra Quotes)