There's a deep-seated paranoia that Americans have about not being Americans or something

There's a deep-seated paranoia that Americans have about not being Americans or something

Billy Joel, the iconic singer-songwriter known for hits like "Piano Man" and "Uptown Girl," has often explored themes of identity and belonging in his music. One recurring theme in Joel's work is the idea of what it means to be American, and the deep-seated paranoia that many Americans have about not fitting in or being seen as "un-American."

In songs like "Allentown" and "Goodnight Saigon," Joel delves into the struggles and challenges faced by working-class Americans, particularly those who feel marginalized or left behind by society. These songs speak to a sense of disillusionment and alienation that many Americans feel, as they grapple with economic uncertainty, social inequality, and a changing cultural landscape.

This sense of unease and insecurity about one's identity as an American is further explored in Joel's song "We Didn't Start the Fire," which chronicles major events and cultural touchstones from the 20th century. The rapid-fire lyrics of the song reflect a sense of chaos and confusion, as Joel rattles off a laundry list of historical references that highlight the tumultuous nature of American history.