Yes, I know, it's not the truth, but in a great history little truths can be altered so that the greater truth emerges

Yes, I know, it's not the truth, but in a great history little truths can be altered so that the greater truth emerges

Umberto Eco, the renowned Italian novelist and philosopher, was a master of weaving intricate narratives that blurred the lines between truth and fiction. In his works, Eco often explored the concept of the "greater truth" – the idea that while individual facts may be altered or embellished, the overarching message or theme remains intact.

One of Eco's most famous novels, "The Name of the Rose," is a prime example of this idea in action. Set in a medieval monastery, the novel follows the investigation of a series of mysterious deaths by the monk William of Baskerville. As William delves deeper into the secrets of the monastery, he uncovers a web of lies, deceit, and manipulation. Throughout the novel, Eco plays with the idea of truth and perception, challenging the reader to question what is real and what is fabricated.

In the context of Eco's work, the quote "Yes, I know, it's not the truth, but in a great history little truths can be altered so that the greater truth emerges" takes on a deeper meaning. Eco understood that history is often shaped by those in power, who have the ability to manipulate facts to suit their own agendas. By altering or embellishing certain details, a larger narrative can be constructed that serves a specific purpose or ideology.

Eco's exploration of the "greater truth" is a reflection of his belief in the power of storytelling. He understood that fiction has the ability to reveal deeper truths about the human experience, even if the events themselves are not entirely factual. By crafting narratives that challenge our perceptions of reality, Eco invites us to question our own beliefs and biases, and to consider the ways in which history is shaped by those who control the narrative.