You may be disappointed if you fail, but you are doomed if you don't try

You may be disappointed if you fail, but you are doomed if you don’t try

Beverly Sills, the renowned American opera singer, is a prime example of someone who lived by the mantra, "You may be disappointed if you fail, but you are doomed if you don't try." Throughout her illustrious career, Sills faced numerous challenges and setbacks, but she never let them deter her from pursuing her passion for music.

Sills was born Belle Miriam Silverman in Brooklyn, New York in 1929. From a young age, she displayed a natural talent for singing and performing, and she began taking voice lessons at the age of seven. Despite facing financial hardships and personal tragedies, Sills remained determined to succeed in the world of opera.

In 1947, Sills made her professional opera debut in a production of Mozart's "The Marriage of Figaro" with the Philadelphia Civic Opera. Over the next few years, she continued to hone her craft and build her reputation as a talented soprano. However, it wasn't until the 1960s that Sills truly rose to fame, thanks to her critically acclaimed performances at the New York City Opera.

Despite her success, Sills faced numerous challenges throughout her career. She struggled with vocal issues, personal insecurities, and the pressures of balancing her professional and personal life. However, she never let these obstacles stop her from pursuing her dreams. Sills once said, "You may be disappointed if you fail, but you are doomed if you don't try." This quote encapsulates her unwavering determination and resilience in the face of adversity.

In 1975, Sills made her highly anticipated debut at the Metropolitan Opera in New York City, where she received rave reviews for her performance in "The Siege of Corinth." She went on to become one of the most celebrated opera singers of her time, known for her powerful voice, impeccable technique, and emotional depth.

Sills retired from performing in 1980 but continued to make a significant impact on the world of opera as an administrator and advocate for the arts. She served as the general director of the New York City Opera and later as the chairwoman of the Lincoln Center for the Performing Arts. Throughout her life, Sills remained a shining example of perseverance, passion, and dedication to her craft.